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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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♪♪

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( screams )

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OH, GOD!

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NO!

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( siren blares )

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( people mutter, laugh )

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...HER NAME WAS NINA.

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SHE WAS MY BEST FRIEND

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IN THE WORLD.

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WHEN WE... WERE IN OUR

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JOAN OF ARC PHASE,

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WE USED TO SIT BY THE HOUR

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IN THE CATHEDRAL ST. JOHN,

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WAITING TO HEAR HEAVENLY

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VOICES.

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HMM...

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GUESS I WAS CRAZY

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EVEN THEN.

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DID YOU HEAR VOICES?

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NO.

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THEN I GUESS YOU

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WEREN'T CRAZY.

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GO ON.

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I WAS NEVER HAPPIER

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THAN THOSE TIMES

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IN THE CATHEDRAL.

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THE CANDLES EVERYWHERE.

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WAX AND INCENSE HEAVY

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IN THE AIR.

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THE MURMUR OF OLD WOMEN

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SAYING PRAYERS.

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IT FELT SO COMFORTABLE.

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SO SAFE AND SECURE.

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LET'S GET TO THE DINNER

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PARTY THAT NIGHT

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AT THE VILLA CAPRI.

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NINA WAS THERE WITH YOU,

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WASN'T SHE?

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UM, YES.

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SHE WAS SPENDING THE NIGHT.

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WE HAD... UM...

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HELPED PREPARE FOR AN

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IMPORTANT DINNER PARTY.

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LAID THE TABLE.

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CANDLESTICKS WITH A WHITE

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LACE TABLECLOTH...

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BEST CHINA, ALL BLACK,

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TRIMMED IN GOLD...

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RED CRYSTAL GOBLETS...

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CAN'T REMEMBER...

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CAN'T YOU?

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NO.

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Ariel ( on tape ): THE CHINA

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WAS VERY RARE...

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IT WAS ALL BLACK...

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AND THE WINE GOBLETS WERE

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VERY, VERY PRECIOUS...

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RED CRYSTAL...

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OH, PLEASE DON'T MAKE ME

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GO ON...

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SIX MONTHS AGO.

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...I REMEMBER SILVER

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CANDLESTICKS AND BLACK

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CHINA...

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GO ON.

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AND RED GOBLETS...

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YES.

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I CAN'T REMEMBER.

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THREE MONTHS AGO.

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( plays tape )

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THERE WERE BLACK CHINA

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PLATES ON A LACE TABLECLOTH.

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RED WINE GOBLETS...

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( tape stops )

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TWO WEEKS AGO.

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WE DON'T SEEM TO BE MAKING

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MUCH PROGRESS, DO WE?

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AFTER SEVEN MONTHS

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OF SEEING YOU THREE TIMES

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A WEEK, I STILL DON'T KNOW

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MUCH MORE ABOUT YOU THAN

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WHAT'S WRITTEN IN YOUR FILE.

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NORMAL CHILDHOOD,

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NORMAL ADOLESCENCE,

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AND THEN JUDGED INSANE

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AND CONFINED FOR LIFE FOR

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THE MURDER OF NINA CHEREAU.

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IT DOESN'T MAKE SENSE.

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SOMETHING IS MISSING.

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DON'T YOU THINK I'M INSANE?

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NO, I DON'T.

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OH, BUT I KILLED

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NINA CHEREAU!

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DID YOU?

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OH, GOD!

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I DON'T KNOW.

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BUT YOU CAN FIND OUT.

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HOW?

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BY NOT BEING A COWARD

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ANYMORE.

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BY HAVING THE STRENGTH

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AND COURAGE TO CONFRONT

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WHAT HAPPENED THAT NIGHT...

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I CAN'T.

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I CAN'T.

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YOU CAN, ARIEL.

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I KNOW YOU CAN.

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WHY DO YOU BELIEVE IN ME

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WHEN I DON'T EVEN BELIEVE

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IN MYSELF?

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BECAUSE I BELIEVE IN MYSELF.

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I'M A DAMNED GOOD DOCTOR

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AND I EXPECT YOU TO BE

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A DAMNED GOOD PATIENT.

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OTHERWISE, I DON'T WANT

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TO PLAY.

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OKAY?

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WHAT ARE YOU DOING?

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YOU AND I ARE GOING

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TO PLAY "LET'S PRETEND".

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LET'S PRETEND YOU ARE

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BACK AT THE VILLA CAPRI

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THAT NIGHT.

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THIS WILL BE THE TABLE...

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WE'LL PRETEND THERE'S A LACE

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TABLECLOTH.

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THESE ARE THE PLATES.

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THESE ARE THE GOBLETS.

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THE CANDLES ARE FLICK--

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THAT'S NOT RIGHT.

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WHAT?

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THAT PLATE.

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IT'S BROKEN.

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THE PLATE'S BROKEN.

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I WAS OUT OF THE ROOM

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GETTING FLOWERS WHEN

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SUDDENLY I HEARD A CRASH AND...

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WHEN I CAME BACK INSIDE,

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NINA WAS STANDING

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BY THE PLATE.

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SHE WAS CRYING.

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AND SUZANNE...

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SUZANNE?

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MY MOTHER.

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SHE HATED GROWING OLD

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AND WANTED PEOPLE TO THINK

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WE WERE SISTERS,

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SO SHE MADE ME CALL HER

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SUZANNE.

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SHE SUDDENLY APPEARED.

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I DON'T KNOW WHERE SHE

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CAME FROM.

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( cries ) SHE HAD A KNIFE...

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SHE'S STANDING NEXT

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TO NINA!

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GOD, NO!

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NO! NO!

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NO... OH!

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( cries )

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OH, HELP ME!

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HELP ME, PLEASE!

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I WILL, I SWEAR I WILL.

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IT'S TIME FOR YOUR NEXT

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PATIENT, DOCTOR.

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THANK YOU.

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IT'S A LITTLE BIT DARK

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IN HERE.

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PERHAPS I SHOULD--

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LEAVE THEM.

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IT'S HOW I WANT THEM.

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OF COURSE, DOCTOR.

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WHAT DO YOU THINK WOULD

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HAPPEN IF YOU SAW

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YOUR MOTHER AGAIN?

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SHE DOESN'T WANT TO HAVE

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ANYTHING TO DO WITH ME.

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SHE'S NEVER WRITTEN ME,

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SHE'S NEVER COME TO SEE ME.

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DON'T YOU THINK THAT'S

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STRANGE?

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NO, I'M SUPPOSED

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TO BE CRAZY.

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SUPPOSED TO BE?

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I THINK WE'RE MAKING

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PROGRESS AFTER ALL.

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( music box plays melody )

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I HOPE MY WORK HAS BEEN

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SATISFACTORY.

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IT HAS BEEN CONTROVERSIAL,

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TO SAY THE LEAST.

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RARELY HAVE MY COLLEAGUES

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BEEN SO EMOTIONAL AS WHEN

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DISCUSSING YOUR WORK.

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CONSIDERING MOST OF THEM

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WERE DYING OF SMUG

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COMPLACENCY,

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I TAKE CREDIT FOR

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REMINDING THEM THEY'RE ALIVE.

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DOES THAT INCLUDE ME?

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I HAVE NEVER HAD ANY

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DOUBTS ABOUT YOUR EXISTENCE,

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DOCTOR DUMONT.

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I SEE WHERE YOU HAVE MADE

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A RECOMMENDATION TO THE

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MEDICAL COMMITTEE THAT

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ARIEL DUBOIS MIGHT BE

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READY FOR TRANSFER

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TO A PRIVATE CLINIC.

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THAT'S RIGHT.

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YOU SEEM TO TAKE

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A PARTICULAR INTEREST

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IN THE CASE OF ARIEL DUBOIS.

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YES.

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OR IS IT IN ARIEL DUBOIS

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HERSELF?

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I RESENT THAT, DOCTOR.

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SHE'S NOT AN UNATTRACTIVE

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WOMAN.

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AND YOU'RE STILL QUITE

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INEXPERIENCED AS

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A PSYCHIATRIST.

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IT'S NOT UNKNOWN IN SUCH

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CASES THAT PERSONAL FEELINGS

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AFFECT PROFESSIONAL JUDGMENT.

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I HAVE NEVER BEHAVED

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IN ANYTHING LESS THAN

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A PROFESSIONAL MANNER

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TOWARDS MY PATIENT.

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NEVERTHELESS, SHE RESPONDS

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00:17:22,576 --> 00:17:23,743
TO YOU MORE OPENLY THAN

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TO ANY OTHER DOCTOR SINCE

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00:17:24,778 --> 00:17:25,579
SHE'S BEEN HERE.

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I'M NOT SURPRISED.

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I TREAT HER AS A HUMAN

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BEING AND NOT A CHARACTER

238
00:17:29,749 --> 00:17:30,984
IN A HORROR STORY.

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SHE KILLED A GIRL IN

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A PARTICULARLY HORRIFYING WAY,

241
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DOCTOR BENNETT.

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SHE WAS BROUGHT TO US

243
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IN A STRAITJACKET AND

244
00:17:38,925 --> 00:17:40,760
REMAINED IN ONE FOR MONTHS,

245
00:17:40,760 --> 00:17:42,762
DESPITE MASSIVE DOSES

246
00:17:42,762 --> 00:17:44,197
OF THORAZINE.

247
00:17:44,197 --> 00:17:46,967
WELCOME TO THE MIDDLE AGES.

248
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LET'S INVITE THE ARISTOCRACY

249
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OUT TO LAUGH AT THE LUNATICS.

250
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SHE WAS A THREAT--

251
00:17:51,204 --> 00:17:52,973
NOT ONLY TO OTHERS

252
00:17:52,973 --> 00:17:54,307
BUT TO HERSELF.

253
00:17:54,307 --> 00:17:55,709
WE'RE HERE TO HELP HER,

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00:17:55,709 --> 00:17:56,243
YOU KNOW.

255
00:17:56,243 --> 00:17:57,544
I DO KNOW.

256
00:17:57,544 --> 00:17:58,745
I SOMETIMES WONDER

257
00:17:58,745 --> 00:18:00,146
IF I'M THE ONLY ONE WHO DOES.

258
00:18:00,146 --> 00:18:02,649
NOW IT'S MY TURN

259
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TO RESENT YOU, DOCTOR.

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LOOK.

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ALL MY OBSERVATIONS

262
00:18:07,821 --> 00:18:08,955
LEAD TO THE CONCLUSION

263
00:18:08,955 --> 00:18:09,990
THAT ARIEL DUBOIS

264
00:18:09,990 --> 00:18:11,258
IS NOT INSANE.

265
00:18:11,258 --> 00:18:13,126
TRAUMATIZED, YES.

266
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EMOTIONALLY OVERWROUGHT, YES.

267
00:18:15,595 --> 00:18:18,031
BUT MAD, NO.

268
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SHE IS SICK,

269
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BUT I CAN CURE HER.

270
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AND HOW DO YOU PROPOSE

271
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DOING THAT?

272
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ARIEL CAN ONLY GO SO FAR

273
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CONFRONTING THE EVENTS

274
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ON THE NIGHT OF THE MURDER,

275
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THEN SHE'S BLOCKED.

276
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THAT BLOCK HAS SOMETHING

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TO DO WITH HER MOTHER.

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I PROPOSE TO BRING

279
00:18:33,246 --> 00:18:34,080
HER MOTHER HERE AND--

280
00:18:34,080 --> 00:18:35,649
THAT'S IMPOSSIBLE.

281
00:18:35,649 --> 00:18:37,851
YOU'VE READ THE FILES.

282
00:18:37,851 --> 00:18:39,185
THE MOTHER CHOSE

283
00:18:39,185 --> 00:18:40,320
DELIBERATELY TO DISAPPEAR

284
00:18:40,320 --> 00:18:41,588
AFTER THE MURDER.

285
00:18:41,588 --> 00:18:44,157
SHE CHANGED HER NAME.

286
00:18:44,157 --> 00:18:45,926
SHE DESIRES TO REMAIN

287
00:18:45,926 --> 00:18:47,027
ANONYMOUS.

288
00:18:47,027 --> 00:18:48,595
THE ONLY REASON I HAVE

289
00:18:48,595 --> 00:18:49,729
HER ADDRESS IS IN CASE

290
00:18:49,729 --> 00:18:50,297
OF ARIEL'S DEATH.

291
00:18:50,297 --> 00:18:51,064
SHE WANTS NOTHING

292
00:18:51,064 --> 00:18:51,965
TO DO WITH HER DAUGHTER.

293
00:18:51,965 --> 00:18:53,033
EXACTLY WHY I CONSIDER IT

294
00:18:53,033 --> 00:18:54,234
MY DUTY TO MY PATIENT

295
00:18:54,234 --> 00:18:56,069
TO MAKE HER CHANGE HER MIND.

296
00:18:56,069 --> 00:18:59,072
( phone rings )

297
00:19:04,177 --> 00:19:07,180
YES?

298
00:19:11,985 --> 00:19:13,987
I SEE.

299
00:19:13,987 --> 00:19:18,325
THANK YOU.

300
00:19:18,325 --> 00:19:20,193
THE MEDICAL COMMITTEE

301
00:19:20,193 --> 00:19:21,695
HAS UNANIMOUSLY REJECTED

302
00:19:21,695 --> 00:19:22,896
YOUR RECOMMENDATION

303
00:19:22,896 --> 00:19:25,632
CONCERNING ARIEL DUBOIS.

304
00:19:25,632 --> 00:19:27,968
IF YOU BUILT UP FALSE HOPES,

305
00:19:27,968 --> 00:19:29,069
YOUR PATIENT WILL BE

306
00:19:29,069 --> 00:19:31,237
VERY UPSET BY THIS NEWS.

307
00:19:31,237 --> 00:19:33,306
I SUGGEST YOU CONSIDER

308
00:19:33,306 --> 00:19:34,741
WAYS OF REBUILDING

309
00:19:34,741 --> 00:19:35,742
HER CONFIDENCE.

310
00:19:35,742 --> 00:19:37,143
HOW?

311
00:19:37,143 --> 00:19:38,311
BY TELLING HER THAT

312
00:19:38,311 --> 00:19:39,145
IN THE OPINION

313
00:19:39,145 --> 00:19:40,180
OF THE SO-CALLED EXPERTS,

314
00:19:40,180 --> 00:19:42,115
SHE'S INSANE AND BETTER

315
00:19:42,115 --> 00:19:43,183
LEARN TO LIVE WITH IT?

316
00:19:43,183 --> 00:19:44,284
WELL, I DON'T BELIEVE THAT,

317
00:19:44,284 --> 00:19:45,385
DOCTOR DUMONT.

318
00:19:45,385 --> 00:19:46,987
I ENTERED THIS PROFESSION

319
00:19:46,987 --> 00:19:48,221
TO HELP PEOPLE...

320
00:19:48,221 --> 00:19:49,155
AND I INTEND TO HELP

321
00:19:49,155 --> 00:19:52,158
ARIEL DUBOIS.

322
00:20:29,162 --> 00:20:31,064
YOU SHOULD BE IN BED.

323
00:20:31,064 --> 00:20:36,036
I COULDN'T SLEEP.

324
00:20:36,036 --> 00:20:38,772
I HEARD THE BAD NEWS.

325
00:20:38,772 --> 00:20:41,007
I'M SORRY.

326
00:20:41,007 --> 00:20:42,909
ARE YOU?

327
00:20:42,909 --> 00:20:44,010
I AM.

328
00:20:44,010 --> 00:20:45,211
REALLY.

329
00:20:45,211 --> 00:20:46,312
I LIKE YOU.

330
00:20:46,312 --> 00:20:47,280
YOU KNOW THAT.

331
00:20:47,280 --> 00:20:48,415
NOBODY LIKES ME.

332
00:20:48,415 --> 00:20:50,717
DON'T SAY THAT.

333
00:20:50,717 --> 00:20:52,986
I LIKE YOU.

334
00:20:52,986 --> 00:20:55,455
I REALLY DO.

335
00:20:55,455 --> 00:20:57,190
DO YOU...

336
00:20:57,190 --> 00:21:00,193
LIKE ME?

337
00:21:09,135 --> 00:21:10,437
WHAT'S THE MATTER?

338
00:21:10,437 --> 00:21:12,238
YOU SAID YOU LIKED ME,

339
00:21:12,238 --> 00:21:15,508
DIDN'T YOU?

340
00:21:15,508 --> 00:21:19,446
COME ON, RELAX...

341
00:21:19,446 --> 00:21:23,016
RELAX...

342
00:21:28,254 --> 00:21:31,224
OH!

343
00:21:31,224 --> 00:21:34,227
( screams in pain )

344
00:21:38,298 --> 00:21:41,301
OH, NO!

345
00:21:48,074 --> 00:21:49,442
AAH!

346
00:21:49,442 --> 00:21:52,278
OW!

347
00:21:52,278 --> 00:21:57,283
UNGH!

348
00:21:57,283 --> 00:21:59,252
AAH!

349
00:21:59,252 --> 00:22:00,820
OW!

350
00:22:00,820 --> 00:22:03,790
AAHH!

351
00:22:03,790 --> 00:22:06,793
( grunts )

352
00:23:37,517 --> 00:23:40,887
( alarm blares )

353
00:25:41,207 --> 00:25:44,477
( police siren wails )

354
00:26:23,116 --> 00:26:26,619
( cat mews )

355
00:26:42,635 --> 00:26:46,205
CAN I HELP YOU?

356
00:26:47,840 --> 00:26:51,244
YOU WANT TO BUY SOMETHING?

357
00:26:56,749 --> 00:27:01,320
UH, NO... I MEAN, YES.

358
00:27:01,320 --> 00:27:05,591
YES, I DO.

359
00:27:10,596 --> 00:27:12,198
THAT'S A VERY,

360
00:27:12,198 --> 00:27:13,399
VERY INTERESTING NECKLACE

361
00:27:13,399 --> 00:27:14,267
YOU HAVE.

362
00:27:14,267 --> 00:27:16,302
I'M AFRAID IT'S THE ONLY

363
00:27:16,302 --> 00:27:18,771
THING HERE NOT FOR SALE.

364
00:27:18,771 --> 00:27:21,207
OF COURSE NOT.

365
00:27:21,207 --> 00:27:23,443
I MEANT, UH...

366
00:27:23,443 --> 00:27:25,344
IT'S A VERY INTERESTING

367
00:27:25,344 --> 00:27:27,213
DESIGN.

368
00:27:27,213 --> 00:27:28,181
IT IS BASED ON

369
00:27:28,181 --> 00:27:28,748
THE COAT-OF-ARMS

370
00:27:28,748 --> 00:27:30,383
OF THE BATHORY FAMILY.

371
00:27:30,383 --> 00:27:31,818
YOU KNOW THE STORY

372
00:27:31,818 --> 00:27:33,386
OF ELIZABETH BATHORY?

373
00:27:33,386 --> 00:27:36,255
NO, NOT REALLY.

374
00:27:36,255 --> 00:27:39,125
I THINK I'VE HEARD OF HER.

375
00:27:39,125 --> 00:27:41,627
THE FEMALE COUNTERPART

376
00:27:41,627 --> 00:27:43,262
OF BLUEBEARD.

377
00:27:43,262 --> 00:27:45,231
KILLED OVER 600 YOUNG WOMEN

378
00:27:45,231 --> 00:27:46,532
IN HER DAY.

379
00:27:46,532 --> 00:27:48,634
I MUST HAVE HER CONFUSED

380
00:27:48,634 --> 00:27:49,902
WITH SOMEONE ELSE.

381
00:27:49,902 --> 00:27:52,405
PROBABLY.

382
00:27:52,405 --> 00:27:53,439
ON THE OTHER HAND,

383
00:27:53,439 --> 00:27:54,774
THERE IS SAID TO BE PEOPLE

384
00:27:54,774 --> 00:27:56,509
'ROUND TODAY WHO STILL

385
00:27:56,509 --> 00:27:58,211
WORSHIP HER MEMORY

386
00:27:58,211 --> 00:27:59,879
WITH WEIRD RITUALS

387
00:27:59,879 --> 00:28:02,148
AND CEREMONIES.

388
00:28:02,148 --> 00:28:05,618
I HAVE A BOOK ABOUT IT HERE.

389
00:28:05,618 --> 00:28:08,154
I THINK I'D LIKE TO BUY IT.

390
00:28:08,154 --> 00:28:10,256
IT IS RATHER EXPENSIVE.

391
00:28:10,256 --> 00:28:12,225
300 FRANCS.

392
00:28:12,225 --> 00:28:15,394
THAT'S ALL RIGHT.

393
00:28:26,639 --> 00:28:28,674
SHE WAS A HUNGARIAN COUNTESS

394
00:28:28,674 --> 00:28:30,743
IN THE LATE MIDDLE AGES

395
00:28:30,743 --> 00:28:32,712
WHO HAD AN OBSESSION

396
00:28:32,712 --> 00:28:33,479
WITH GROWING OLD.

397
00:28:33,479 --> 00:28:35,214
SHE BELIEVED THAT BATHING

398
00:28:35,214 --> 00:28:36,415
IN THE BLOOD OF YOUNG WOMEN

399
00:28:36,415 --> 00:28:38,751
WOULD KEEP HER ETERNALLY YOUNG

400
00:28:38,751 --> 00:28:40,820
SO SHE WOULD NEVER DIE.

401
00:28:40,820 --> 00:28:43,856
AH, HERE IT IS...

402
00:28:43,856 --> 00:28:47,827
THE CULT OF ELIZABETH BATHORY.

403
00:28:50,463 --> 00:28:51,631
THERE WAS A CASE IN THIS

404
00:28:51,631 --> 00:28:54,700
TOWN SOME YEARS AGO...

405
00:28:54,700 --> 00:28:57,837
( door closes )

406
00:31:10,670 --> 00:31:14,006
( knocks )

407
00:31:16,642 --> 00:31:17,843
YES?

408
00:31:17,843 --> 00:31:18,678
I'D LIKE TO SPEAK

409
00:31:18,678 --> 00:31:19,945
TO MADAME DUBOIS, PLEASE.

410
00:31:19,945 --> 00:31:20,713
YOU MUST HAVE

411
00:31:20,713 --> 00:31:21,580
THE WRONG ADDRESS.

412
00:31:21,580 --> 00:31:22,648
THERE IS NO ONE HERE

413
00:31:22,648 --> 00:31:23,549
BY THAT NAME.

414
00:31:23,549 --> 00:31:24,383
THEN I WILL SPEAK

415
00:31:24,383 --> 00:31:25,584
TO MADAME LAFONT.

416
00:31:25,584 --> 00:31:28,954
MADAME LAFONT IS NOT HERE.

417
00:31:28,954 --> 00:31:31,090
I'LL WAIT.

418
00:31:31,090 --> 00:31:32,591
SHE'S NOT HERE, I TELL YOU.

419
00:31:32,591 --> 00:31:33,726
I'M NOT LEAVING UNTIL

420
00:31:33,726 --> 00:31:35,494
I SEE MADAME DUBOIS.

421
00:31:35,494 --> 00:31:36,962
I TELL YOU, THERE IS NO

422
00:31:36,962 --> 00:31:40,366
MADAME DUBOIS HERE!

423
00:31:40,366 --> 00:31:42,468
MATHIAS.

424
00:31:42,468 --> 00:31:44,070
WHAT IS THIS DISTURBANCE?

425
00:31:44,070 --> 00:31:45,371
I'M SORRY, MADAME.

426
00:31:45,371 --> 00:31:46,806
THIS MAN FORCED HIS WAY--

427
00:31:46,806 --> 00:31:47,740
MY NAME IS DOCTOR

428
00:31:47,740 --> 00:31:48,908
MARTIN BENNETT.

429
00:31:48,908 --> 00:31:50,576
I'M A PSYCHIATRIST.

430
00:31:50,576 --> 00:31:52,011
ONE OF MY PATIENTS

431
00:31:52,011 --> 00:31:54,046
IS ARIEL DUBOIS...

432
00:31:54,046 --> 00:31:57,416
YOUR DAUGHTER.

433
00:32:01,687 --> 00:32:03,756
YOU MUST BE MISTAKEN.

434
00:32:03,756 --> 00:32:06,459
I HAVE NO DAUGHTER.

435
00:32:06,459 --> 00:32:08,094
MATHIAS...

436
00:32:08,094 --> 00:32:09,428
LAST NIGHT, SHE ESCAPED

437
00:32:09,428 --> 00:32:10,796
FROM THE ASYLUM,

438
00:32:10,796 --> 00:32:11,864
AND I HAVE REASON TO BELIEVE

439
00:32:11,864 --> 00:32:14,166
SHE'S COMING HERE TO FIND YOU.

440
00:32:14,166 --> 00:32:15,901
LEAVE US, MATHIAS.

441
00:32:15,901 --> 00:32:19,071
YES, MADAME.

442
00:32:23,609 --> 00:32:24,877
HOW LONG HAVE YOU

443
00:32:24,877 --> 00:32:27,780
BEEN ARIEL'S DOCTOR?

444
00:32:27,780 --> 00:32:30,950
FOR SIX MONTHS.

445
00:32:30,950 --> 00:32:33,953
THAT'S TIME ENOUGH TO KNOW

446
00:32:33,953 --> 00:32:35,488
THAT SHE'S AN EXTREMELY

447
00:32:35,488 --> 00:32:38,524
DANGEROUS PERSON.

448
00:32:38,524 --> 00:32:40,025
ARE YOU AFRAID OF HER?

449
00:32:40,025 --> 00:32:40,893
IS THAT WHY YOU HAVEN'T

450
00:32:40,893 --> 00:32:41,894
CONTACTED HER IN ALL

451
00:32:41,894 --> 00:32:44,163
THESE YEARS?

452
00:32:44,163 --> 00:32:46,799
SHE'S TOTALLY INSANE.

453
00:32:46,799 --> 00:32:48,667
NO.

454
00:32:48,667 --> 00:32:50,569
SHE IS NOT...

455
00:32:50,569 --> 00:32:52,905
IN MY OPINION.

456
00:32:52,905 --> 00:32:54,673
THAT'S AN OPINION

457
00:32:54,673 --> 00:32:55,908
THAT FLIES IN THE FACE

458
00:32:55,908 --> 00:32:56,842
OF THE DISTINGUISHED

459
00:32:56,842 --> 00:32:58,444
MEDICAL AND LEGAL ADVISORS

460
00:32:58,444 --> 00:32:59,745
WHO PUT HER AWAY.

461
00:32:59,745 --> 00:33:01,814
IT IS.

462
00:33:01,814 --> 00:33:03,983
DO YOU KNOW WHAT SHE DID?

463
00:33:03,983 --> 00:33:07,520
I KNOW WHAT HAPPENED.

464
00:33:07,520 --> 00:33:09,088
YOU MAY THINK SO,

465
00:33:09,088 --> 00:33:11,123
BUT BELIEVE ME, DOCTOR,

466
00:33:11,123 --> 00:33:13,559
YOU CAN'T POSSIBLY IMAGINE

467
00:33:13,559 --> 00:33:15,027
WHAT REALLY HAPPENED.

468
00:33:15,027 --> 00:33:16,796
I'VE READ ALL THE REPORTS.

469
00:33:16,796 --> 00:33:18,030
AND ARIEL HAS BEEN

470
00:33:18,030 --> 00:33:18,964
QUITE FRANK...

471
00:33:18,964 --> 00:33:20,032
HAS SHE?

472
00:33:20,032 --> 00:33:21,133
AS MUCH AS SHE CAN WITHOUT

473
00:33:21,133 --> 00:33:22,101
YOUR HELP.

474
00:33:22,101 --> 00:33:23,936
MY HELP?

475
00:33:23,936 --> 00:33:25,638
WHEN ARIEL TALKS ABOUT

476
00:33:25,638 --> 00:33:26,572
THE NIGHT OF NINA CHEREAU'S

477
00:33:26,572 --> 00:33:27,473
DEATH--

478
00:33:27,473 --> 00:33:28,507
MURDER.

479
00:33:28,507 --> 00:33:29,575
SHE GETS SO FAR AND THEN

480
00:33:29,575 --> 00:33:30,643
THERE IS A BLOCK.

481
00:33:30,643 --> 00:33:32,144
I BELIEVE IT INVOLVES YOU.

482
00:33:32,144 --> 00:33:33,646
I'D LIKE YOU TO TALK TO HER.

483
00:33:33,646 --> 00:33:35,481
I KNOW YOU CAN HELP HER.

484
00:33:35,481 --> 00:33:37,216
( laughs )

485
00:33:37,216 --> 00:33:38,250
YOU MAY BE AMUSED,

486
00:33:38,250 --> 00:33:40,486
BUT YOU MAY HAVE NO CHOICE

487
00:33:40,486 --> 00:33:41,687
IN THE MATTER.

488
00:33:41,687 --> 00:33:43,155
NOW THAT ARIEL HAS ESCAPED,

489
00:33:43,155 --> 00:33:44,990
I THINK SHE'LL BE COMING

490
00:33:44,990 --> 00:33:46,225
TO SEE YOU HERSELF.

491
00:33:46,225 --> 00:33:48,160
WHY?

492
00:33:48,160 --> 00:33:50,796
WELL, YOU ARE HER MOTHER,

493
00:33:50,796 --> 00:33:51,864
MADAME DUBOIS.

494
00:33:51,864 --> 00:33:55,234
DON'T EVER CALL ME THAT!

495
00:33:57,670 --> 00:33:58,771
IF SHE'S ESCAPED,

496
00:33:58,771 --> 00:34:01,106
SURELY THE POLICE

497
00:34:01,106 --> 00:34:02,074
ARE LOOKING FOR HER.

498
00:34:02,074 --> 00:34:02,975
THEY ARE.

499
00:34:02,975 --> 00:34:04,543
BUT THEY WON'T HELP HER.

500
00:34:04,543 --> 00:34:05,978
ONLY YOU CAN DO THAT.

501
00:34:05,978 --> 00:34:07,546
NO.

502
00:34:07,546 --> 00:34:09,181
NO, I CAN'T.

503
00:34:09,181 --> 00:34:11,083
NOBODY CAN.

504
00:34:11,083 --> 00:34:13,285
NOT EVEN YOU.

505
00:34:13,285 --> 00:34:15,554
SHE IS BEYOND THE HELP

506
00:34:15,554 --> 00:34:16,956
OF ANYBODY.

507
00:34:16,956 --> 00:34:18,023
DON'T YOU CARE

508
00:34:18,023 --> 00:34:20,926
ABOUT HER AT ALL?

509
00:34:20,926 --> 00:34:22,795
I WISH SHE'D NEVER

510
00:34:22,795 --> 00:34:24,630
BEEN BORN!

511
00:34:24,630 --> 00:34:26,165
MATHIAS.

512
00:34:26,165 --> 00:34:28,133
MADAME?

513
00:34:28,133 --> 00:34:29,702
SHOW DOCTOR BENNETT OUT.

514
00:34:29,702 --> 00:34:31,604
AND IF HE REFUSES TO LEAVE,

515
00:34:31,604 --> 00:34:34,940
CALL THE POLICE.

516
00:35:21,153 --> 00:35:22,955
WHO ARE YOU?

517
00:35:22,955 --> 00:35:25,891
WHAT ARE DOING IN MY ROOM?

518
00:35:25,891 --> 00:35:27,326
POLICE.

519
00:35:27,326 --> 00:35:29,595
INSPECTOR MARAIS.

520
00:35:29,595 --> 00:35:31,697
THIS IS MY ASSISTANT REVERDY.

521
00:35:31,697 --> 00:35:33,899
LIKE YOU, WE ARE LOOKING

522
00:35:33,899 --> 00:35:37,069
FOR ARIEL DUBOIS.

523
00:35:37,069 --> 00:35:37,970
HAVE YOU FOUND HER?

524
00:35:37,970 --> 00:35:39,038
NOT YET.

525
00:35:39,038 --> 00:35:40,773
GOOD.

526
00:35:40,773 --> 00:35:42,374
YOU SOUND RELIEVED.

527
00:35:42,374 --> 00:35:43,375
WELL, I'M NOT UNHAPPY

528
00:35:43,375 --> 00:35:45,778
THAT SHE'S NOT UNDER ARREST.

529
00:35:45,778 --> 00:35:47,813
ARE YOU SAYING THAT

530
00:35:47,813 --> 00:35:49,181
IF SHE CONTACTS YOU,

531
00:35:49,181 --> 00:35:50,382
YOU WILL NOT NOTIFY

532
00:35:50,382 --> 00:35:51,383
THE POLICE?

533
00:35:51,383 --> 00:35:52,751
SHE IS MY PATIENT

534
00:35:52,751 --> 00:35:53,719
AND NEEDS HELP...

535
00:35:53,719 --> 00:35:54,920
NOT HANDCUFFS.

536
00:35:54,920 --> 00:35:56,388
IN THE FIRST PLACE,

537
00:35:56,388 --> 00:35:57,389
SHE IS A CRIMINAL.

538
00:35:57,389 --> 00:35:58,791
SHE ESCAPED FROM

539
00:35:58,791 --> 00:36:00,125
A STATE ASYLUM.

540
00:36:00,125 --> 00:36:01,026
IN MY OPINION,

541
00:36:01,026 --> 00:36:01,994
SHE SHOULD HAVE NEVER BEEN

542
00:36:01,994 --> 00:36:03,295
THERE IN THE FIRST PLACE.

543
00:36:03,295 --> 00:36:06,332
I AGREE WITH YOU, DOCTOR.

544
00:36:06,332 --> 00:36:10,302
THEY SHOULD HAVE EXECUTED HER.

545
00:36:10,302 --> 00:36:15,274
NOW, IF ARIEL DUBOIS

546
00:36:15,274 --> 00:36:17,276
WOULD CONTACT YOU

547
00:36:17,276 --> 00:36:19,745
IN ANY WAY,

548
00:36:19,745 --> 00:36:22,214
IF YOU DO NOT INFORM

549
00:36:22,214 --> 00:36:23,849
THE POLICE IMMEDIATELY,

550
00:36:23,849 --> 00:36:26,819
I WILL PUT YOU UNDER ARREST

551
00:36:26,819 --> 00:36:28,754
FOR HELPING AN ESCAPED

552
00:36:28,754 --> 00:36:32,091
CRIMINAL.

553
00:37:47,066 --> 00:37:48,767
( Ariel's voice echoes )

554
00:37:48,767 --> 00:37:50,369
HER NAME WAS NINA.

555
00:37:50,369 --> 00:37:52,504
HER NAME WAS NINA.

556
00:37:52,504 --> 00:37:55,240
SHE WAS MY BEST FRIEND.

557
00:37:55,240 --> 00:37:57,810
SHE WAS MY BEST FRIEND.

558
00:37:57,810 --> 00:38:00,446
SHE WAS MY BEST FRIEND.

559
00:38:00,446 --> 00:38:03,382
WE USED TO SPEND HOURS

560
00:38:03,382 --> 00:38:04,983
IN THE CATHEDRAL ST. JOHN.

561
00:38:04,983 --> 00:38:06,885
WE USED TO SPEND HOURS

562
00:38:06,885 --> 00:38:08,320
IN THE CATHEDRAL ST. JOHN.

563
00:38:08,320 --> 00:38:10,422
WE USED TO SPEND HOURS

564
00:38:10,422 --> 00:38:14,059
IN THE CATHEDRAL ST. JOHN.

565
00:38:14,059 --> 00:38:15,928
SHE HAD A KNIFE...

566
00:38:15,928 --> 00:38:17,863
SHE HAD A KNIFE.

567
00:38:17,863 --> 00:38:19,898
SHE HAD A KNIFE!

568
00:38:19,898 --> 00:38:22,201
HELP ME...

569
00:38:22,201 --> 00:38:24,236
HELP ME.

570
00:38:24,236 --> 00:38:27,406
HELP ME...

571
00:39:23,195 --> 00:39:24,563
WHAT--?

572
00:39:24,563 --> 00:39:26,999
SHH!

573
00:39:26,999 --> 00:39:28,934
WHAT ARE YOU DOING HERE?

574
00:39:28,934 --> 00:39:32,204
THANKING GOD I FOUND YOU.

575
00:39:32,204 --> 00:39:34,873
HOW DID YOU FIND ME HERE?

576
00:39:34,873 --> 00:39:36,608
I FOLLOWED THE CLUES

577
00:39:36,608 --> 00:39:38,076
IN YOUR ANALYSIS.

578
00:39:38,076 --> 00:39:39,912
YOU ALWAYS FELT SAFE

579
00:39:39,912 --> 00:39:41,847
AND SECURE HERE, REMEMBER?

580
00:39:41,847 --> 00:39:44,183
IT'S TRUE, I DO...

581
00:39:44,183 --> 00:39:45,984
NO ONE ELSE COULD KNOW

582
00:39:45,984 --> 00:39:49,321
YOU'D COME TO THIS PLACE.

583
00:41:14,339 --> 00:41:17,943
I'M NEVER GOING BACK, NEVER.

584
00:41:17,943 --> 00:41:19,611
IF THAT'S WHY YOU'RE HERE--

585
00:41:19,611 --> 00:41:21,179
IT ISN'T.

586
00:41:21,179 --> 00:41:23,649
I'VE BEEN TRYING TO HELP YOU

587
00:41:23,649 --> 00:41:26,718
GET OUT OF THERE, REMEMBER?

588
00:41:30,489 --> 00:41:32,024
THANK YOU.

589
00:41:32,024 --> 00:41:32,958
IT'S SO WONDERFUL

590
00:41:32,958 --> 00:41:34,259
TO BE FREE.

591
00:41:34,259 --> 00:41:35,560
BUT YOU'RE NOT

592
00:41:35,560 --> 00:41:37,496
REALLY FREE, ARIEL.

593
00:41:37,496 --> 00:41:38,497
OH, I KNOW THE POLICE

594
00:41:38,497 --> 00:41:39,698
ARE AFTER ME, BUT IF I--

595
00:41:39,698 --> 00:41:41,667
I'M NOT TALKING ABOUT THAT.

596
00:41:41,667 --> 00:41:44,236
UNTIL YOU DISCOVER

597
00:41:44,236 --> 00:41:45,170
WHAT HAPPENED THE NIGHT

598
00:41:45,170 --> 00:41:46,104
OF NINA'S DEATH,

599
00:41:46,104 --> 00:41:49,508
YOU WILL NEVER BE FREE.

600
00:41:51,576 --> 00:41:53,412
LET ME GET AWAY.

601
00:41:53,412 --> 00:41:54,246
NO.

602
00:41:54,246 --> 00:41:55,414
WHY?

603
00:41:55,414 --> 00:41:58,550
BECAUSE I CARE FOR YOU.

604
00:42:01,286 --> 00:42:03,155
I'M YOUR DOCTOR...

605
00:42:03,155 --> 00:42:04,189
AND YOUR FRIEND.

606
00:42:04,189 --> 00:42:09,027
AND I SO WANT YOU TO BE HAPPY.

607
00:42:09,027 --> 00:42:11,763
HAPPY?

608
00:42:11,763 --> 00:42:13,665
HOW CAN SOMEONE LIKE ME

609
00:42:13,665 --> 00:42:15,133
BE HAPPY?

610
00:42:15,133 --> 00:42:17,402
I'VE SEEN YOUR MOTHER

611
00:42:17,402 --> 00:42:18,537
AND I'M CONVINCED SHE CAN

612
00:42:18,537 --> 00:42:21,540
HELP US DISCOVER THE TRUTH.

613
00:42:28,413 --> 00:42:30,048
PLEASE SEE THIS THROUGH.

614
00:42:30,048 --> 00:42:32,284
TAKE MY CAR.

615
00:42:32,284 --> 00:42:33,418
IF ANYTHING HAPPENS,

616
00:42:33,418 --> 00:42:34,219
YOU'LL HAVE A MEANS

617
00:42:34,219 --> 00:42:35,287
OF GETTING AWAY.

618
00:42:35,287 --> 00:42:36,388
I DON'T WANT

619
00:42:36,388 --> 00:42:39,324
TO GET AWAY NOW...

620
00:42:39,324 --> 00:42:41,259
HOW DO WE STAY IN CONTACT?

621
00:42:41,259 --> 00:42:42,728
IT'S NOT SAFE TO PHONE

622
00:42:42,728 --> 00:42:45,364
MY HOTEL...

623
00:42:45,364 --> 00:42:47,232
WHY DON'T WE MEET HERE

624
00:42:47,232 --> 00:42:48,734
TOMORROW AT THE SAME TIME?

625
00:42:48,734 --> 00:42:51,737
OKAY.

626
00:43:22,367 --> 00:43:24,403
EXCUSE ME, MONSIEUR,

627
00:43:24,403 --> 00:43:27,572
BUT YOU LOOK LIKE A BOOK LOVER.

628
00:43:27,572 --> 00:43:29,408
WHAT?

629
00:43:29,408 --> 00:43:30,776
I HAVE A LITTLE SHOP

630
00:43:30,776 --> 00:43:31,676
IN THE QUARTER.

631
00:43:31,676 --> 00:43:33,712
COLLECTORS USUALLY FIND

632
00:43:33,712 --> 00:43:35,180
SOMETHING OF INTEREST THERE.

633
00:43:35,180 --> 00:43:36,381
NO, THANK YOU.

634
00:43:36,381 --> 00:43:39,518
A PITY.

635
00:43:39,518 --> 00:43:42,454
I THOUGHT YOU MIGHT FIND

636
00:43:42,454 --> 00:43:44,723
SOMETHING OF VALUE

637
00:43:44,723 --> 00:43:48,794
FOR YOUR GIRLFRIEND...

638
00:43:51,830 --> 00:43:55,734
WHERE'S YOUR SHOP?

639
00:44:31,203 --> 00:44:32,504
OKAY.

640
00:44:32,504 --> 00:44:34,606
WHAT'S YOUR GAME?

641
00:44:34,606 --> 00:44:36,775
A GAME, MONSIEUR?

642
00:44:36,775 --> 00:44:39,511
I'M NOT A GAMBLER.

643
00:44:39,511 --> 00:44:42,247
I AM A BUSINESSMAN.

644
00:44:42,247 --> 00:44:44,649
I SELL THINGS.

645
00:44:44,649 --> 00:44:47,619
LIKE INFORMATION?

646
00:44:47,619 --> 00:44:49,287
NOT IF IT IS MORE

647
00:44:49,287 --> 00:44:50,589
PROFITABLE TO SELL BOOKS.

648
00:44:50,589 --> 00:44:53,625
FOR EXAMPLE, UM...

649
00:44:53,625 --> 00:44:55,193
THIS ONE YOUR FRIEND

650
00:44:55,193 --> 00:44:56,495
ASKED ABOUT.

651
00:44:56,495 --> 00:44:58,430
LET'S DROP THE CHARADE.

652
00:44:58,430 --> 00:45:00,932
MY "FRIEND" WAS NEVER IN HERE.

653
00:45:00,932 --> 00:45:03,401
BUT SHE WAS, MONSIEUR.

654
00:45:03,401 --> 00:45:04,603
WE WERE DISCUSSING

655
00:45:04,603 --> 00:45:05,704
THE BLOOD CULT

656
00:45:05,704 --> 00:45:07,372
OF ELIZABETH BATHORY.

657
00:45:07,372 --> 00:45:09,808
FOR HER I CLIMBED THAT LADDER

658
00:45:09,808 --> 00:45:11,476
TO GET THIS BOOK...

659
00:45:11,476 --> 00:45:14,246
IT HURTS ME WHEN I CLIMB

660
00:45:14,246 --> 00:45:15,747
THE LADDER.

661
00:45:15,747 --> 00:45:18,650
I DON'T FORGET HER.

662
00:45:18,650 --> 00:45:22,954
HOW MUCH?

663
00:45:27,592 --> 00:45:31,897
SIX... THOUSAND FRANCS.

664
00:45:40,906 --> 00:45:44,509
OH, MONSIEUR!

665
00:45:44,509 --> 00:45:46,745
DON'T FORGET YOUR BOOK.

666
00:45:46,745 --> 00:45:48,813
WHO KNOWS?

667
00:45:48,813 --> 00:45:52,984
YOU MIGHT EVEN READ IT ONE DAY.

668
00:46:24,950 --> 00:46:26,284
WHAT ARE YOU SELLING

669
00:46:26,284 --> 00:46:27,686
THIS TIME?

670
00:46:27,686 --> 00:46:31,423
MONSIEUR ALBERT...

671
00:46:31,423 --> 00:46:34,659
THIS.

672
00:46:39,931 --> 00:46:41,533
YOU EXPECT TO GET MONEY

673
00:46:41,533 --> 00:46:43,668
FOR A PIECE OF JUNK LIKE THIS?

674
00:46:43,668 --> 00:46:46,004
IT IS QUITE OLD...

675
00:46:46,004 --> 00:46:47,639
AND QUITE RARE.

676
00:46:47,639 --> 00:46:49,708
OBJET D'ART.

677
00:46:49,708 --> 00:46:52,444
A UNIQUE PIECE OF CRAFTSMANSHIP

678
00:46:52,444 --> 00:46:56,047
FROM A VANISHED AGE.

679
00:46:56,047 --> 00:46:58,850
MADAME IS WELL KNOWN

680
00:46:58,850 --> 00:47:00,685
AS A COLLECTOR.

681
00:47:00,685 --> 00:47:02,921
WHICH IS, UH, NATURALLY WHY

682
00:47:02,921 --> 00:47:05,790
I THOUGHT OF HER WHEN...

683
00:47:05,790 --> 00:47:08,526
SUCH A DOLL CAME INTO MY HANDS.

684
00:47:08,526 --> 00:47:11,296
NATURALLY.

685
00:47:11,296 --> 00:47:12,697
EVERYONE KNOWS MADAME

686
00:47:12,697 --> 00:47:18,403
HAS SUCH STYLE, SUCH TASTE...

687
00:47:18,403 --> 00:47:22,774
SUCH MONEY.

688
00:47:22,774 --> 00:47:25,777
2,000 FRANCS, MADAME.

689
00:47:25,777 --> 00:47:27,812
SURELY NOT SUCH A GREAT DEAL

690
00:47:27,812 --> 00:47:32,751
FOR SUCH A BEAUTIFUL DOLL...

691
00:47:34,586 --> 00:47:36,454
YOU'RE SWEATING,

692
00:47:36,454 --> 00:47:38,923
MONSIEUR ALBERT...

693
00:47:38,923 --> 00:47:41,459
YOU MUST MAKE YOURSELF

694
00:47:41,459 --> 00:47:42,827
COMFORTABLE.

695
00:47:42,827 --> 00:47:46,064
THANK YOU, MADAME...

696
00:47:51,069 --> 00:47:55,874
PERHAPS 1,800 FRANCS WOULD DO.

697
00:48:01,846 --> 00:48:04,516
THAT JEWEL YOU'RE WEARING!

698
00:48:04,516 --> 00:48:07,485
MATHIAS!

699
00:48:07,485 --> 00:48:10,455
MATHIAS!

700
00:48:10,455 --> 00:48:12,857
GET HIM OUT OF HERE!

701
00:48:12,857 --> 00:48:15,460
PAY HIM ANYTHING HE WANTS,

702
00:48:15,460 --> 00:48:16,795
BUT GET HIM OUT OF MY SIGHT!

703
00:48:16,795 --> 00:48:20,031
BUT, MADAME...

704
00:48:42,520 --> 00:48:45,523
( phone rings )

705
00:48:50,128 --> 00:48:52,163
DOCTOR BENNETT.

706
00:48:52,163 --> 00:48:53,798
HE SAYS THAT HE HAS

707
00:48:53,798 --> 00:48:55,400
A PERSONAL MESSAGE

708
00:48:55,400 --> 00:48:58,570
FROM A THIRD PARTY.

709
00:49:04,042 --> 00:49:05,577
YES?

710
00:49:05,577 --> 00:49:06,845
I'D LIKE TO APOLOGIZE

711
00:49:06,845 --> 00:49:07,712
FOR THE WAY I ACTED

712
00:49:07,712 --> 00:49:08,480
THIS MORNING.

713
00:49:08,480 --> 00:49:09,414
I SHOULD HAVE REALIZED

714
00:49:09,414 --> 00:49:10,115
HOW SHOCKING THE NEWS

715
00:49:10,115 --> 00:49:10,949
OF ARIEL'S ESCAPE

716
00:49:10,949 --> 00:49:11,916
WOULD HAVE BEEN FOR YOU.

717
00:49:11,916 --> 00:49:16,087
IT WAS, UH, A SURPRISE.

718
00:49:16,087 --> 00:49:19,724
I SAW HER TODAY.

719
00:49:19,724 --> 00:49:21,693
DID YOU?

720
00:49:21,693 --> 00:49:23,995
SHE'S ALL RIGHT...

721
00:49:23,995 --> 00:49:27,132
SHE SENDS YOU HER LOVE.

722
00:49:29,901 --> 00:49:31,603
WHERE IS SHE?

723
00:49:31,603 --> 00:49:33,004
SAFE FOR THE MOMENT.

724
00:49:33,004 --> 00:49:34,038
BUT THAT'S WHAT I NEED

725
00:49:34,038 --> 00:49:34,939
TO TALK TO YOU ABOUT.

726
00:49:34,939 --> 00:49:35,907
WHAT DO YOU MEAN?

727
00:49:35,907 --> 00:49:37,542
SINCE YOU KNOW HER

728
00:49:37,542 --> 00:49:38,443
BETTER THAN I DO--

729
00:49:38,443 --> 00:49:39,210
BETTER THAN ANYBODY--

730
00:49:39,210 --> 00:49:43,047
I NEED YOUR ADVICE.

731
00:49:43,047 --> 00:49:45,450
MY ADVICE?

732
00:49:45,450 --> 00:49:46,718
YES.

733
00:49:46,718 --> 00:49:48,553
THAT'S RIGHT.

734
00:49:48,553 --> 00:49:49,721
THERE ARE THINGS ABOUT

735
00:49:49,721 --> 00:49:50,922
THAT NIGHT I DON'T KNOW

736
00:49:50,922 --> 00:49:52,056
AND IF YOU TOLD ME ABOUT THEM,

737
00:49:52,056 --> 00:49:53,625
MAYBE I'D HAVE A DIFFERENT

738
00:49:53,625 --> 00:49:56,694
PERSPECTIVE ON ARIEL.

739
00:49:56,694 --> 00:49:59,964
I'M SURE YOU WOULD.

740
00:49:59,964 --> 00:50:01,599
WILL YOU TALK TO ME?

741
00:50:01,599 --> 00:50:04,669
PLEASE?

742
00:50:09,007 --> 00:50:11,009
ALL RIGHT.

743
00:50:11,009 --> 00:50:12,977
THE CAFE DE LA CHAPELLE?

744
00:50:12,977 --> 00:50:15,480
DO YOU KNOW WHERE IT IS?

745
00:50:15,480 --> 00:50:16,915
TOMORROW AT 3:00?

746
00:50:16,915 --> 00:50:20,018
I'LL BE THERE.

747
00:51:06,197 --> 00:51:08,166
EXCUSE ME, MONSIEUR.

748
00:51:08,166 --> 00:51:09,033
THESE LOOK LIKE

749
00:51:09,033 --> 00:51:09,968
FRESH FLOWERS.

750
00:51:09,968 --> 00:51:11,302
YES, MONSIEUR.

751
00:51:11,302 --> 00:51:13,037
DID YOU PUT THEM THERE?

752
00:51:13,037 --> 00:51:15,039
NO, MONSIEUR.

753
00:51:15,039 --> 00:51:17,008
DO YOU KNOW WHO DID?

754
00:51:17,008 --> 00:51:20,612
EACH FRIDAY, BEFORE MIDDAY,

755
00:51:20,612 --> 00:51:22,247
SOMEONE TAKES THE OLD FLOWERS

756
00:51:22,247 --> 00:51:23,915
AWAY AND PUTS FRESH ONES

757
00:51:23,915 --> 00:51:25,884
IN THEIR PLACE.

758
00:51:25,884 --> 00:51:27,218
I WONDER WHO STILL

759
00:51:27,218 --> 00:51:29,187
REMEMBERS NINA CHEREAU?

760
00:51:29,187 --> 00:51:33,024
I DO NOT KNOW, MONSIEUR.

761
00:52:08,693 --> 00:52:11,696
AH.

762
00:52:13,932 --> 00:52:16,768
YESTERDAY, A WHITE CITROEN.

763
00:52:16,768 --> 00:52:18,169
I CHECKED THE REGISTRATION.

764
00:52:18,169 --> 00:52:20,271
IT'S YOURS.

765
00:52:20,271 --> 00:52:22,941
AND A BLUE RENAULT TODAY.

766
00:52:22,941 --> 00:52:24,776
WHY?

767
00:52:24,776 --> 00:52:25,710
IT BROKE DOWN.

768
00:52:25,710 --> 00:52:26,744
I'M HAVING IT REPAIRED.

769
00:52:26,744 --> 00:52:27,679
AH.

770
00:52:27,679 --> 00:52:30,682
WHICH GARAGE?

771
00:52:33,084 --> 00:52:34,819
I DON'T REMEMBER.

772
00:52:34,819 --> 00:52:38,389
( laughs )

773
00:52:38,389 --> 00:52:39,657
YOU INTELLECTUALS--

774
00:52:39,657 --> 00:52:43,828
YOU REALLY MAKE ME SICK.

775
00:52:43,828 --> 00:52:47,999
A DEGREE, SOME LETTERS AFTER

776
00:52:47,999 --> 00:52:49,968
YOUR NAME, AND YOU THINK

777
00:52:49,968 --> 00:52:51,302
YOU'RE SO MUCH SMARTER

778
00:52:51,302 --> 00:52:54,205
THAN ANY DUMB COP, DON'T YOU?

779
00:52:54,205 --> 00:52:55,340
I DON'T KNOW WHAT

780
00:52:55,340 --> 00:52:56,207
YOU'RE TALKING ABOUT.

781
00:52:56,207 --> 00:52:57,942
THE MURDER OF POOR

782
00:52:57,942 --> 00:52:59,110
NINA CHEREAU.

783
00:52:59,110 --> 00:53:00,678
THAT'S WHAT I'M TALKING ABOUT.

784
00:53:00,678 --> 00:53:02,313
THAT WAS MY FIRST JOB.

785
00:53:02,313 --> 00:53:04,816
I WAS YOUNG AND INEXPERIENCED.

786
00:53:04,816 --> 00:53:07,118
AND THERE WAS A REPORT

787
00:53:07,118 --> 00:53:09,887
OF VIOLENCE AT THE VILLA CAPRI

788
00:53:09,887 --> 00:53:13,157
AND I WAS SENT THERE.

789
00:53:13,157 --> 00:53:16,027
IT LOOKED LIKE THE REMAINS

790
00:53:16,027 --> 00:53:18,196
OF SOME OBSCENE CEREMONY.

791
00:53:18,196 --> 00:53:21,099
BLACK PLATES,

792
00:53:21,099 --> 00:53:23,267
BURNING CANDLES...

793
00:53:23,267 --> 00:53:28,072
AND BLOOD EVERYWHERE...

794
00:53:28,072 --> 00:53:32,276
ON THE FLOOR, THE WALLS.

795
00:53:32,276 --> 00:53:36,414
AND THE BODY OF NINA CHEREAU...

796
00:53:36,414 --> 00:53:40,985
OR WHAT WAS LEFT OF IT.

797
00:53:40,985 --> 00:53:47,725
SHE HAD BEEN SLICED OPEN.

798
00:53:49,260 --> 00:53:52,296
AS IF SHE WAS A SACRIFICE...

799
00:53:52,296 --> 00:53:58,169
IN SOME SICK RITUAL.

800
00:53:58,169 --> 00:54:02,106
I NEVER WILL FORGET IT...

801
00:54:02,106 --> 00:54:06,477
NOR THE ONE WHO DID IT.

802
00:54:06,477 --> 00:54:11,349
NOW, YOU UNDERSTAND.

803
00:54:11,349 --> 00:54:16,421
WELL, WHEN I ARREST THE GIRL,

804
00:54:16,421 --> 00:54:19,257
DOCTOR, I WILL PERSONALLY

805
00:54:19,257 --> 00:54:22,727
RETURN YOUR CAR

806
00:54:22,727 --> 00:54:26,064
WHEN I COME TO ARREST YOU.

807
00:58:47,158 --> 00:58:50,361
( car approaches )

808
00:59:26,497 --> 00:59:30,267
TERRIBLE ACCIDENT.

809
01:00:07,171 --> 01:00:10,174
SORRY I'M LATE.

810
01:00:13,110 --> 01:00:15,379
I SAW SOMETHING HORRIBLE.

811
01:00:15,379 --> 01:00:17,848
THIS LITTLE GIRL.

812
01:00:17,848 --> 01:00:19,550
SHE'S DEAD.

813
01:00:19,550 --> 01:00:24,255
HOW SAD.

814
01:00:24,255 --> 01:00:26,390
AT LEAST SHE'LL AVOID

815
01:00:26,390 --> 01:00:29,260
THE HORROR OF GROWING OLD.

816
01:00:29,260 --> 01:00:31,162
WHAT KIND OF A WOMAN

817
01:00:31,162 --> 01:00:33,264
ARE YOU?

818
01:00:33,264 --> 01:00:37,301
A CURSED ONE.

819
01:00:48,345 --> 01:00:52,683
SHE'S HERE?

820
01:00:52,683 --> 01:00:55,686
( grunts )

821
01:01:07,798 --> 01:01:10,801
ARIEL!

822
01:01:26,183 --> 01:01:27,852
ARIEL, WAIT!

823
01:01:27,852 --> 01:01:30,187
WAIT!

824
01:01:30,187 --> 01:01:33,491
SHE TRIED TO KILL ME!

825
01:01:33,491 --> 01:01:34,758
YOU SHOULD'VE WARNED ME.

826
01:01:34,758 --> 01:01:35,593
I COULDN'T!

827
01:01:35,593 --> 01:01:37,595
WHY? WHY?

828
01:01:37,595 --> 01:01:39,463
YOU KNEW SHE WAS COMING!

829
01:01:39,463 --> 01:01:40,664
WHY DIDN'T YOU TELL ME?

830
01:01:40,664 --> 01:01:41,599
I TOOK A CHANCE.

831
01:01:41,599 --> 01:01:42,500
I THOUGHT IF YOU TWO MET,

832
01:01:42,500 --> 01:01:43,334
IT WOULD ALL COME OUT

833
01:01:43,334 --> 01:01:44,335
IN THE OPEN AND YOU'D BE FREE!

834
01:01:44,335 --> 01:01:45,269
WHAT AM I TO YOU?

835
01:01:45,269 --> 01:01:45,836
SOME EXPERIMENT?

836
01:01:45,836 --> 01:01:46,770
SOME STUPID GAME?

837
01:01:46,770 --> 01:01:49,340
I HATE YOU!

838
01:01:49,340 --> 01:01:52,676
ARIEL, DON'T!

839
01:02:08,826 --> 01:02:13,631
WHAT IS IT, ARIEL?

840
01:02:13,631 --> 01:02:14,732
WHEN I SAW HER,

841
01:02:14,732 --> 01:02:16,567
I FELT EVERYTHING...

842
01:02:16,567 --> 01:02:17,668
FALL AWAY.

843
01:02:17,668 --> 01:02:19,403
ALL I COULD REMEMBER

844
01:02:19,403 --> 01:02:20,971
WAS THAT...

845
01:02:20,971 --> 01:02:22,573
THAT NIGHT AND NINA

846
01:02:22,573 --> 01:02:26,510
ON THE FLOOR COVERED IN BLOOD.

847
01:02:26,510 --> 01:02:30,881
AND SUZANNE WITH A... KNIFE,

848
01:02:30,881 --> 01:02:34,485
RUBBING BLOOD ON HER FACE.

849
01:02:37,922 --> 01:02:39,890
SHE'S ALIVE.

850
01:02:39,890 --> 01:02:41,759
WHO?

851
01:02:41,759 --> 01:02:43,594
ELIZABETH BATHORY.

852
01:02:43,594 --> 01:02:45,763
SHE IS ALIVE.

853
01:02:45,763 --> 01:02:50,634
YOU MEAN SUZANNE?

854
01:02:50,634 --> 01:02:52,903
OH, MARTIN.

855
01:02:52,903 --> 01:02:53,904
I DON'T HATE YOU.

856
01:02:53,904 --> 01:02:57,341
I LOVE YOU.

857
01:03:11,889 --> 01:03:13,324
HELP, ARIEL!

858
01:03:13,324 --> 01:03:15,292
HELP ME!

859
01:03:15,292 --> 01:03:16,560
HELP!

860
01:03:16,560 --> 01:03:17,962
( police siren blares )

861
01:03:17,962 --> 01:03:20,764
HELP ME, PLEASE!

862
01:03:20,764 --> 01:03:21,765
HELP ME!

863
01:03:21,765 --> 01:03:24,702
I'M SLIP-- I'M SLIPPING!

864
01:03:24,702 --> 01:03:26,537
HELP!

865
01:03:26,537 --> 01:03:28,038
HELP ME!

866
01:03:28,038 --> 01:03:30,307
HELP!

867
01:03:30,307 --> 01:03:31,909
HELP, I'M SLIPPING!

868
01:03:31,909 --> 01:03:32,977
HELP!

869
01:03:32,977 --> 01:03:35,713
I SHOULD LET YOU DROP.

870
01:03:35,713 --> 01:03:38,949
HAUL HIM UP.

871
01:03:47,992 --> 01:03:49,660
YOU SAVED MY LIFE.

872
01:03:49,660 --> 01:03:51,795
YES, BUT NOW I'M PLACING

873
01:03:51,795 --> 01:03:53,364
YOU UNDER ARREST.

874
01:03:53,364 --> 01:03:55,866
FOR HELPING A WANTED CRIMINAL.

875
01:03:55,866 --> 01:03:59,536
COME ON.

876
01:06:58,115 --> 01:07:01,518
( plays note )

877
01:07:07,024 --> 01:07:08,592
YOU KNEW THAT SHE WOULD

878
01:07:08,592 --> 01:07:11,795
COME BACK ONE DAY, DIDN'T YOU?

879
01:07:11,795 --> 01:07:15,232
YOU KNEW THAT...

880
01:07:15,232 --> 01:07:16,934
KNEW THAT YOU COULD

881
01:07:16,934 --> 01:07:19,236
NEVER ESCAPE FROM HER!

882
01:07:19,236 --> 01:07:20,871
THAT SHE WOULD NEVER

883
01:07:20,871 --> 01:07:21,905
LEAVE YOU ALONE--

884
01:07:21,905 --> 01:07:23,874
NEVER!

885
01:07:23,874 --> 01:07:27,177
IN PEACE...

886
01:07:29,279 --> 01:07:31,815
( laughs )

887
01:07:31,815 --> 01:07:35,252
IN PEACE?

888
01:07:39,923 --> 01:07:43,827
LOOK AT YOU...

889
01:07:43,827 --> 01:07:46,663
RUINED!

890
01:07:46,663 --> 01:07:48,031
OLD!

891
01:07:48,031 --> 01:07:49,867
OLD BEFORE YOUR TIME

892
01:07:49,867 --> 01:07:51,201
AND ALL BECAUSE OF HER!

893
01:07:51,201 --> 01:07:53,237
THAT BITCH!

894
01:07:53,237 --> 01:07:57,207
I HATE HER!

895
01:07:58,942 --> 01:08:03,647
( sings in French )

896
01:08:12,055 --> 01:08:15,058
( laughs )

897
01:08:26,270 --> 01:08:27,304
WELL, GOOD MORNING,

898
01:08:27,304 --> 01:08:29,039
DOCTOR BENNETT.

899
01:08:29,039 --> 01:08:30,607
MORNING.

900
01:08:30,607 --> 01:08:32,242
DID YOU SLEEP WELL?

901
01:08:32,242 --> 01:08:33,176
NO.

902
01:08:33,176 --> 01:08:34,645
GOOD.

903
01:08:34,645 --> 01:08:36,046
I SEE YOU'RE INTERESTED

904
01:08:36,046 --> 01:08:37,781
IN THE BLOOD CULT

905
01:08:37,781 --> 01:08:39,816
OF ELIZABETH BATHORY.

906
01:08:39,816 --> 01:08:41,051
WHERE DID YOU GET THAT?

907
01:08:41,051 --> 01:08:43,587
IN YOUR HOTEL ROOM.

908
01:08:43,587 --> 01:08:47,057
I HAVE A SEARCH WARRANT.

909
01:08:47,057 --> 01:08:49,893
TELL ME, DOCTOR.

910
01:08:49,893 --> 01:08:51,628
IS THAT WHERE YOU GET

911
01:08:51,628 --> 01:08:53,063
YOUR IDEAS FOR TREATING

912
01:08:53,063 --> 01:08:54,031
ARIEL DUBOIS?

913
01:08:54,031 --> 01:08:54,932
OF COURSE NOT.

914
01:08:54,932 --> 01:08:55,732
THAT'S JUST A BUNCH

915
01:08:55,732 --> 01:08:57,234
OF MYSTICAL MUMBO-JUMBO.

916
01:08:57,234 --> 01:09:00,070
IS IT?

917
01:09:00,070 --> 01:09:02,139
SO, YOU ARE FREE TO GO NOW,

918
01:09:02,139 --> 01:09:03,340
DOCTOR.

919
01:09:03,340 --> 01:09:04,808
I AM?

920
01:09:04,808 --> 01:09:06,743
YES.

921
01:09:06,743 --> 01:09:08,612
IT IS NOT YOU I WANT

922
01:09:08,612 --> 01:09:10,080
TO SEE IN A CAGE.

923
01:09:10,080 --> 01:09:13,050
IT IS ARIEL DUBOIS.

924
01:09:13,050 --> 01:09:14,384
YOU'RE WRONG ABOUT THAT,

925
01:09:14,384 --> 01:09:15,819
INSPECTOR.

926
01:09:15,819 --> 01:09:17,321
AM I?

927
01:09:17,321 --> 01:09:19,656
YES, YOU ARE.

928
01:09:19,656 --> 01:09:21,725
BUT I BET I'M RIGHT

929
01:09:21,725 --> 01:09:24,127
ABOUT SOMETHING ELSE.

930
01:09:24,127 --> 01:09:26,697
SOMETHING AS A PSYCHIATRIST

931
01:09:26,697 --> 01:09:27,864
YOU WILL BE ABLE TO CONFIRM

932
01:09:27,864 --> 01:09:29,666
BEYOND A DOUBT.

933
01:09:29,666 --> 01:09:31,335
AND WHAT IS THAT?

934
01:09:31,335 --> 01:09:32,769
THAT I'M OBSESSED

935
01:09:32,769 --> 01:09:37,708
WITH ARIEL DUBOIS...

936
01:09:37,708 --> 01:09:41,278
BUT SO ARE YOU.

937
01:09:41,278 --> 01:09:42,846
AND I INTEND TO USE

938
01:09:42,846 --> 01:09:45,215
YOUR OBSESSION TO SATISFY

939
01:09:45,215 --> 01:09:47,184
MY OWN.

940
01:09:47,184 --> 01:09:50,320
UNDERSTAND?

941
01:09:54,124 --> 01:09:55,726
ALL RIGHT.

942
01:09:55,726 --> 01:09:59,262
LET HIM OUT.

943
01:10:15,746 --> 01:10:17,180
DOCTOR BENNETT.

944
01:10:17,180 --> 01:10:18,448
DOCTOR DUMONT.

945
01:10:18,448 --> 01:10:20,183
WHAT ARE YOU DOING HERE?

946
01:10:20,183 --> 01:10:21,184
I'VE COME TO ASK YOU

947
01:10:21,184 --> 01:10:22,119
TO RETURN TO THE ASYLUM

948
01:10:22,119 --> 01:10:23,086
WITH ME.

949
01:10:23,086 --> 01:10:24,054
I'M AFRAID I CAN'T

950
01:10:24,054 --> 01:10:25,155
DO THAT RIGHT NOW, DOCTOR.

951
01:10:25,155 --> 01:10:27,758
I'M AFRAID YOU'LL HAVE TO.

952
01:10:27,758 --> 01:10:29,226
WE CAN'T AFFORD THE BAD

953
01:10:29,226 --> 01:10:30,761
PUBLICITY OF ONE OF OUR STAFF

954
01:10:30,761 --> 01:10:32,295
ASSISTING AN ESCAPED INMATE

955
01:10:32,295 --> 01:10:34,197
TO REMAIN AT LARGE.

956
01:10:34,197 --> 01:10:35,899
THEN I OFFER MY RESIGNATION

957
01:10:35,899 --> 01:10:37,000
AS OF RIGHT NOW.

958
01:10:37,000 --> 01:10:38,068
DOCTOR BENNETT,

959
01:10:38,068 --> 01:10:39,736
CONSIDER YOUR CAREER.

960
01:10:39,736 --> 01:10:41,738
THE HELL WITH MY CAREER!

961
01:10:41,738 --> 01:10:42,906
DOCTOR.

962
01:10:42,906 --> 01:10:45,275
WHAT'S HAPPENING TO YOU?

963
01:10:45,275 --> 01:10:48,378
( scoffs )

964
01:10:48,378 --> 01:10:49,913
IGNORANCE.

965
01:10:49,913 --> 01:10:50,447
STUPIDITY.

966
01:10:50,447 --> 01:10:52,049
NARROW-MINDEDNESS.

967
01:10:52,049 --> 01:10:53,116
THE PERSECUTION OF

968
01:10:53,116 --> 01:10:54,084
AN INNOCENT WOMAN AND

969
01:10:54,084 --> 01:10:55,085
THE TWISTED MIND OF ANOTHER!

970
01:10:55,085 --> 01:10:56,319
THAT'S WHAT'S HAPPENING TO ME!

971
01:10:56,319 --> 01:10:59,089
DOCTOR, YOU NEED TO REST.

972
01:10:59,089 --> 01:11:00,090
COME WITH ME, NOW--

973
01:11:00,090 --> 01:11:01,224
I'M NOT GOING ANYWHERE UNTIL

974
01:11:01,224 --> 01:11:02,259
I PROVE ARIEL'S INNOCENCE.

975
01:11:02,259 --> 01:11:03,427
ALL RIGHT.

976
01:11:03,427 --> 01:11:04,327
TODAY IS FRIDAY.

977
01:11:04,327 --> 01:11:05,462
STAY THE WEEKEND--

978
01:11:05,462 --> 01:11:06,763
WHAT DID YOU SAY?

979
01:11:06,763 --> 01:11:08,098
I SAID, STAY THE WEEKEND--

980
01:11:08,098 --> 01:11:09,199
FRIDAY?

981
01:11:09,199 --> 01:11:12,202
TODAY IS FRIDAY?

982
01:11:58,381 --> 01:12:01,384
( knocks )

983
01:12:13,330 --> 01:12:16,533
MATHIAS!

984
01:12:16,533 --> 01:12:18,869
MATHIAS!

985
01:12:18,869 --> 01:12:20,203
HE'S NOT HERE.

986
01:12:20,203 --> 01:12:21,037
MATHIAS!

987
01:12:21,037 --> 01:12:22,072
HE'S AT THE CEMETERY

988
01:12:22,072 --> 01:12:23,473
PUTTING FRESH FLOWERS ON

989
01:12:23,473 --> 01:12:25,142
THE GRAVE OF NINA CHEREAU.

990
01:12:25,142 --> 01:12:26,143
GET OUT OF HERE!

991
01:12:26,143 --> 01:12:27,310
AS HE DOES EVERY WEEK.

992
01:12:27,310 --> 01:12:28,512
WHY IS THAT, MADAME DUBOIS?

993
01:12:28,512 --> 01:12:29,880
LEAVE ME ALONE!

994
01:12:29,880 --> 01:12:30,814
BECAUSE OF GUILT?

995
01:12:30,814 --> 01:12:32,215
IS THERE SOMETHING IN YOUR PAST

996
01:12:32,215 --> 01:12:33,383
YOU FEEL GUILTY ABOUT,

997
01:12:33,383 --> 01:12:34,151
MADAME DUBOIS?

998
01:12:34,151 --> 01:12:34,985
OF SHOULD I CALL YOU

999
01:12:34,985 --> 01:12:35,919
MADEMOISELLE?

1000
01:12:35,919 --> 01:12:37,087
SINCE YOU HATE THE FACT

1001
01:12:37,087 --> 01:12:38,188
OF GROWING OLD.

1002
01:12:38,188 --> 01:12:39,990
NO! NO!

1003
01:12:39,990 --> 01:12:41,291
HOW DID NINA DIE?

1004
01:12:41,291 --> 01:12:42,359
I DON'T KNOW!

1005
01:12:42,359 --> 01:12:43,293
YES, YOU DO.

1006
01:12:43,293 --> 01:12:46,296
NO!

1007
01:12:55,505 --> 01:12:57,908
YOU KILLED HER, DIDN'T YOU?

1008
01:12:57,908 --> 01:13:01,178
NO!

1009
01:13:03,280 --> 01:13:04,481
SHE WAS MUTILATED

1010
01:13:04,481 --> 01:13:05,382
WITH A KNIFE.

1011
01:13:05,382 --> 01:13:06,349
NO!

1012
01:13:06,349 --> 01:13:07,384
AND YOU DID IT BECAUSE

1013
01:13:07,384 --> 01:13:08,285
OF ELIZABETH BATHORY...

1014
01:13:08,285 --> 01:13:10,620
NO!

1015
01:13:10,620 --> 01:13:12,155
SOME SICK CEREMONY

1016
01:13:12,155 --> 01:13:14,491
TO WORSHIP A DEAD MONSTER...

1017
01:13:14,491 --> 01:13:19,462
NO!

1018
01:13:19,462 --> 01:13:22,632
ELIZABETH BATHORY LIVES!

1019
01:13:22,632 --> 01:13:24,301
OF COURSE SHE DOES.

1020
01:13:24,301 --> 01:13:26,303
AND SHE IS NOW 400 YEARS OLD,

1021
01:13:26,303 --> 01:13:27,504
KEPT FOREVER YOUNG

1022
01:13:27,504 --> 01:13:28,905
BY BATHING IN THE BLOOD

1023
01:13:28,905 --> 01:13:30,073
OF YOUNG VIRGINS...

1024
01:13:30,073 --> 01:13:31,208
IT'S TRUE!

1025
01:13:31,208 --> 01:13:32,943
IT'S TRUE!

1026
01:13:32,943 --> 01:13:34,978
YOU INSANE MONSTER.

1027
01:13:34,978 --> 01:13:36,346
MADAME!

1028
01:13:36,346 --> 01:13:37,614
GET OUT!

1029
01:13:37,614 --> 01:13:39,216
GET OUT!

1030
01:13:39,216 --> 01:13:40,917
I'LL GO NOW...

1031
01:13:40,917 --> 01:13:44,187
BUT I'LL BE BACK.

1032
01:14:05,275 --> 01:14:09,279
I KNOW WHERE SHE IS.

1033
01:14:21,291 --> 01:14:22,559
Ariel's Voice ( echoes ):

1034
01:14:22,559 --> 01:14:25,695
HELP ME... HELP ME.

1035
01:14:25,695 --> 01:14:28,698
HELP ME.

1036
01:15:22,585 --> 01:15:25,588
ARIEL!

1037
01:15:58,788 --> 01:16:00,290
Martin ( echoes ): LET'S GET

1038
01:16:00,290 --> 01:16:01,391
TO THE DINNER PARTY THAT NIGHT

1039
01:16:01,391 --> 01:16:02,792
AT THE VILLA CAPRI...

1040
01:16:02,792 --> 01:16:04,227
NINA WAS THERE WITH YOU,

1041
01:16:04,227 --> 01:16:05,295
WASN'T SHE?

1042
01:16:05,295 --> 01:16:06,563
Ariel ( echoes ) UH, YES,

1043
01:16:06,563 --> 01:16:08,431
SHE WAS SPENDING THE NIGHT.

1044
01:16:08,431 --> 01:16:12,402
WE HAD HELPED PREPARE FOR

1045
01:16:12,402 --> 01:16:15,739
AN IMPORTANT DINNER PARTY.

1046
01:16:15,739 --> 01:16:19,576
LAID THE TABLE.

1047
01:16:19,576 --> 01:16:22,145
CANDLESTICKS WITH WHITE LACE

1048
01:16:22,145 --> 01:16:22,746
TABLECLOTH--

1049
01:16:22,746 --> 01:16:23,680
Marias: BLACK PLATES.

1050
01:16:23,680 --> 01:16:25,215
BURNING CANDLES.

1051
01:16:25,215 --> 01:16:26,182
Ariel: THE BEST CHINA,

1052
01:16:26,182 --> 01:16:27,350
ALL BLACK.

1053
01:16:27,350 --> 01:16:30,320
Marias: BLOOD EVERYWHERE...

1054
01:16:30,320 --> 01:16:31,821
THAT I'M OBSESSED

1055
01:16:31,821 --> 01:16:33,623
WITH ARIEL DUBOIS.

1056
01:16:33,623 --> 01:16:34,824
Ariel: RED CRYSTAL GOBLETS.

1057
01:16:34,824 --> 01:16:37,327
Marias: BUT SO ARE YOU.

1058
01:16:37,327 --> 01:16:39,062
Ariel: HELP ME.

1059
01:16:39,062 --> 01:16:44,067
HELP ME... HELP ME.

1060
01:17:32,315 --> 01:17:35,485
ARIEL?

1061
01:17:52,635 --> 01:17:55,638
ALBERT?

1062
01:17:57,874 --> 01:18:01,177
ALBERT?

1063
01:18:26,536 --> 01:18:30,206
"VILLA CAPRI..."

1064
01:18:32,575 --> 01:18:36,513
( front door chimes, opens )

1065
01:18:41,551 --> 01:18:45,188
( car drives away )

1066
01:21:29,419 --> 01:21:32,922
( music plays )

1067
01:22:04,420 --> 01:22:07,757
WHERE IS ARIEL?

1068
01:22:16,432 --> 01:22:19,869
DO YOU KNOW WHERE ARIEL IS?

1069
01:22:25,141 --> 01:22:29,112
WHERE IS ARIEL?

1070
01:25:28,257 --> 01:25:31,627
( bangs on door )

1071
01:29:30,132 --> 01:29:33,202
( music box plays )

1072
01:29:45,114 --> 01:29:48,117
( music stops )

1073
01:30:54,283 --> 01:30:59,154
ARIEL...?

1074
01:30:59,154 --> 01:31:01,557
NO, MARTIN.

1075
01:31:01,557 --> 01:31:04,026
MY NAME IS REALLY

1076
01:31:04,026 --> 01:31:05,628
ELIZABETH BATHORY...

1077
01:31:05,628 --> 01:31:07,062
AND THANKS TO YOU,

1078
01:31:07,062 --> 01:31:09,431
I SHALL LIVE AGAIN...

1079
01:31:09,431 --> 01:31:13,068
AND KILL AGAIN.

1080
01:31:13,068 --> 01:31:15,137
I DID MURDER NINA CHEREAU,

1081
01:31:15,137 --> 01:31:16,705
YOU KNOW.

1082
01:31:16,705 --> 01:31:18,674
I HAD TO-- I NEEDED HER BLOOD

1083
01:31:18,674 --> 01:31:22,044
TO STAY YOUNG.

1084
01:31:22,044 --> 01:31:23,679
JUST AS, THROUGH THE CENTURIES,

1085
01:31:23,679 --> 01:31:25,981
I'VE ALWAYS NEEDED TO KILL...

1086
01:31:25,981 --> 01:31:28,117
TO STAY YOUNG.

1087
01:31:28,117 --> 01:31:31,520
YOU ARE INSANE.

1088
01:31:34,089 --> 01:31:39,261
NO... I'M IMMORTAL.

1089
01:31:39,261 --> 01:31:41,430
THAT'S NOT POSSIBLE.

1090
01:31:41,430 --> 01:31:45,200
IT'S TRUE.

1091
01:31:45,200 --> 01:31:47,136
HELLO, MY DARLING.

1092
01:31:47,136 --> 01:31:48,237
WHY DIDN'T YOU REMAIN

1093
01:31:48,237 --> 01:31:50,072
WHERE THEY PUT YOU?

1094
01:31:50,072 --> 01:31:51,974
BECAUSE I WAS GROWING OLD.

1095
01:31:51,974 --> 01:31:53,242
YOU WOULD HAVE DIED

1096
01:31:53,242 --> 01:31:54,710
A NATURAL DEATH.

1097
01:31:54,710 --> 01:31:57,012
I SHALL NEVER DIE.

1098
01:31:57,012 --> 01:32:01,183
YOU WILL.

1099
01:32:01,183 --> 01:32:06,155
NO!

1100
01:32:06,155 --> 01:32:09,158
( grunts )

1101
01:32:19,768 --> 01:32:21,637
OF ALL MY DAUGHTERS,

1102
01:32:21,637 --> 01:32:24,139
I LOVED YOU THE BEST.

1103
01:32:24,139 --> 01:32:27,009
UNGH!

1104
01:32:27,009 --> 01:32:30,479
AH.

1105
01:32:30,479 --> 01:32:34,183
OH... OH.

1106
01:32:40,723 --> 01:32:44,193
OH, MOTHER...

1107
01:32:44,193 --> 01:32:47,796
HOW COULD YOU?

1108
01:33:07,383 --> 01:33:09,685
( car approaches )

1109
01:33:19,395 --> 01:33:23,198
DOCTOR BENNETT...

1110
01:33:23,198 --> 01:33:25,501
YOUR OBSESSION...

1111
01:33:25,501 --> 01:33:28,504
HAS LED YOU TO MURDER.

1112
01:33:28,504 --> 01:33:30,339
NO...

1113
01:33:30,339 --> 01:33:31,206
YOU DON'T UNDERSTAND.

1114
01:33:31,206 --> 01:33:32,508
YOU SEE, ARIEL--

1115
01:33:32,508 --> 01:33:34,143
ARIEL'S NOT ARIEL...

1116
01:33:34,143 --> 01:33:35,477
WHERE IS SHE?

1117
01:33:35,477 --> 01:33:36,311
WHERE DID SHE GO?

1118
01:33:36,311 --> 01:33:37,279
SHE WAS JUST HERE, INSPECTOR,

1119
01:33:37,279 --> 01:33:38,514
ONLY SHE'S NOT ARIEL.

1120
01:33:38,514 --> 01:33:39,581
SHE'S SOMEONE CALLED

1121
01:33:39,581 --> 01:33:40,649
ELIZABETH BATHORY!

1122
01:33:40,649 --> 01:33:42,251
SHE'S 400 YEARS OLD.

1123
01:33:42,251 --> 01:33:43,352
I MEAN, SHE WAS CALLING HERSELF

1124
01:33:43,352 --> 01:33:44,219
ELIZABETH BATHORY--

1125
01:33:44,219 --> 01:33:45,087
SHE COULDN'T REALLY BE,

1126
01:33:45,087 --> 01:33:45,587
OF COURSE.

1127
01:33:45,587 --> 01:33:46,588
IT WAS ARIEL AND...

1128
01:33:46,588 --> 01:33:48,624
SHE KILLED HER--

1129
01:33:48,624 --> 01:33:50,459
HER DAUGHTER HERE.

1130
01:33:50,459 --> 01:33:54,630
I KNOW IT SOUNDS CRAZY!

1131
01:33:54,630 --> 01:33:57,533
YOU DON'T BELIEVE ME, DO YOU?

1132
01:33:57,533 --> 01:33:59,635
COME ON, DOCTOR.

1133
01:33:59,635 --> 01:34:00,602
NO, IT'S THE TRUTH!

1134
01:34:00,602 --> 01:34:01,837
I CAN PROVE IT!

1135
01:34:01,837 --> 01:34:02,738
I CAN PROVE IT,

1136
01:34:02,738 --> 01:34:04,239
JUST LET ME FIND ELIZABETH!

1137
01:34:04,239 --> 01:34:05,407
I MEAN ARIEL!

1138
01:34:05,407 --> 01:34:06,442
I'M ON YOUR SIDE NOW,

1139
01:34:06,442 --> 01:34:07,609
INSPECTOR!

1140
01:34:07,609 --> 01:34:08,377
I'M ON YOUR SIDE.

1141
01:34:08,377 --> 01:34:09,344
I DIDN'T DO IT!

1142
01:34:09,344 --> 01:34:10,512
CALL THE WAGON!

1143
01:34:10,512 --> 01:34:11,413
TELL THEM TO BRING

1144
01:34:11,413 --> 01:34:12,381
A STRAITJACKET!

1145
01:34:12,381 --> 01:34:12,881
NO!

1146
01:34:12,881 --> 01:34:13,649
IT'S ARIEL!

1147
01:34:13,649 --> 01:34:14,550
IT WASN'T ME!

1148
01:34:14,550 --> 01:34:15,617
IT WAS ARIEL!

1149
01:34:15,617 --> 01:34:16,685
I'M ON YOUR SIDE, INSPECTOR,

1150
01:34:16,685 --> 01:34:17,853
I'M ON YOUR SIDE!

1151
01:34:17,853 --> 01:34:19,521
IT WASN'T ME!

1152
01:34:19,521 --> 01:34:20,789
IT WASN'T ME!

1153
01:34:20,789 --> 01:34:23,826
IT WASN'T ME!

1154
01:34:23,826 --> 01:34:25,594
OKAY.

1155
01:34:25,594 --> 01:34:29,398
LET'S GO NOW.

1156
01:34:29,398 --> 01:34:32,734
INSPECTOR.

1157
01:34:32,734 --> 01:34:33,702
LET ME OUT OF THIS THING!

1158
01:34:33,702 --> 01:34:35,571
COME ON.

1159
01:34:35,571 --> 01:34:39,174
I CAN EXPLAIN!

1160
01:34:41,643 --> 01:34:44,680
I'M A DOCTOR.

1161
01:34:47,182 --> 01:34:48,350
IT'S IN THE BOOK.

1162
01:34:48,350 --> 01:34:49,184
GET THE BOOK.

1163
01:34:49,184 --> 01:34:50,185
COME ON.

1164
01:34:50,185 --> 01:34:53,288
COME ON.

1165
01:34:55,891 --> 01:34:58,727
I'M NOT CRAZY!

1166
01:34:58,727 --> 01:35:01,697
ELIZABETH!

1167
01:35:01,697 --> 01:35:03,832
ELIZABETH!

1168
01:35:03,832 --> 01:35:07,669
( ambulance siren wails )

1169
01:35:30,659 --> 01:35:33,762
( clanging sound )